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Financement, Foncier et Fiscalité sont pour lui au cœur de la production de logement au Cameroun < Back Les enjeux de la promotion immobilière au Cameroun M. MOUNGANG Blaise M. MOUNGANG Blaise, promoteur immobilier et Président de l'Association des Promoteurs Immobiliers du Cameroun, nous parle de l'état actuel de la promotion immobilière au Cameroun. Financement, Foncier et Fiscalité sont pour lui au cœur de la production de logement.

< Back Interview with Hayatte Ndiaye, President of the national order of architects of Chad Hayatte Ndiaye, president of the National Order of Architects of Chad, emphasizes the importance of defining the vision of African cities and implementing urbanization plans through strategic tools. She believes that financing the urbanization of cities is crucial, as it promotes local economies, supports industrialization, and creates jobs locally. Ndiaye emphasizes the need for a sustainable city that addresses local needs and incorporates financial policies that promote local economies. She believes that the current African city is built on fortuitous foundations that are disconnected from reality, and that a strong political will is needed to design a more sustainable future. She calls for young urban planners and architects to experiment with the local context, study the history of cities and civilizations, and question their social and cultural framework. She calls for the younger generation to continue this work of cultural reappropriation and take on new challenges such as security, health, environmental issues, and digital and technological issues. “I am Hayatte Ndiaye, pioneer architect and president of the National Order of Architects of Chad” My journey began in Chad where I did my primary and part of my secondary education before moving to France where I obtained a scientific baccalaureate. I then joined the Institut Supérieur d’Architecture Victor Horta / Université Libre de Bruxelles, for a course in architecture: design and realization of buildings. Upon graduation, I began my professional career in France with the Parisian firm Architecture Studio where I worked for a year before returning to Chad in 2009, which was then in the middle of a construction boom thanks to the oil windfall. Back in N’Djaména, I collaborated with the Cabinet Atepa on two major public works from 2009 to 2011, before setting up the Hayatt Architecture firm. Under the seal of responsible architecture, the firm defends an unconventional architecture, respectful of the environment, which pays particular attention to the energy performance of the building. The social dimension and the impact that architecture can have on the daily life of people have always been at the center of my concerns. Member of the international jury of the African School of Architecture and Urbanism (EAMAU) graduation, I also intervene in various conferences, including the West African Festival of Architecture (WAAF).Member of the international jury TERRA AWARD SAHEL and the Forum of Earthen Construction Actors (FACT Sahel), I will be at the origin of the international conference, Sustainable Habitat in the Sahel, the first edition of which will be held in April 2018 in N’Djamena. In July 2019, I was elected president of the National Order of Architects of Chad (ONAT), and in November of the same year, we organized in N’Djaména the very first round table of architecture on the future of African cities, with the theme «African cities of the future», which brought together many actors in the world of construction, including about fifteen presidents of continental and international orders. Under the aegis of the National Assembly, I will preside in March 2021, the jury of the architectural competition for the construction of the memorial stele of Bohoma, a locality on Lake Chad. “Urbanization should not be a matter of chance” Urban development must be the result of a long-term vision, a conscious and concerted vision, accompanied by a substantial financing plan, likely to support its implementation. This regalian mission for the future of our cities and the image they project is the responsibility of our states, and should not be the result of a haphazard process, built according to the financial aid of international organizations or the specifications of intransigent donors. The urgency is therefore in the definition of this vision of the actors of the African city, of the present and the future of their living environment, and in the implementation of this urbanization plan through a transcendent leadership of our governors. These visions must be guided by strategic tools, including territorial coherence plans for the harmonious development of our territories. To effectively mobilize financing, we must put in place mechanisms that promote the development of local economies, supporting industrialization, and creating jobs locally. It is unacceptable that after decades of independence we are still relying on international donations to finance development. The question of financing the urbanization of our cities is therefore crucial. Most African cities develop in spontaneous concentric rings around a more or less planned central core. These unplanned new districts crystallize most of the governance problems that these cities face. It is therefore essential to question our modes of production of urban space, when we know that even our villages respond to well-defined principles and schemes in their development. For example, public squares occupy a central place in our villages and disappear in the orthogonality of our cities. Our way of making the city must take into consideration our culture, our identity, our uses by giving back to the village square its determining place in our cities. And because the African (subSaharan) man is by nature an outdoor man, particular care must be taken in the design and management of urban public spaces. Our cities must reflect the people who live in them, they must be more inclusive and more sustainable. Imported models, designed outside, have shown their limits because they are unsuitable. They often lead to dehumanization with all the consequences that we know. Integrating the notion of identity and culture in the planning of our cities from the outset is the price of their resilience. “The sustainable city is above all a city thought locally by the inhabitants” We are in a context of globalization where African cities are under attack from multinational firms, selling concepts and turnkey products, without having had the time to learn or to experiment, which is the key to sustainable development. It is therefore clear that for us the music is going a little too fast. If we consider that the notion of sustainability and its corollary, resilience, presuppose a mastery of the processes and techniques of creating and managing a city, the African city has every interest in defining and implementing its own score in this new voracious configuration of the world. Our cities are developing more and more rapidly, with a construction market in constant evolution. However, most of the building materials, representing 50% to 70% of the total cost of construction, come from imports. This has the effect of making access to housing expensive, excluding vulnerable people with low incomes, who represent the largest segment of the population. Panorama of N'djamena, Photo by Dmitry Moiseenko, austria-forum The advent of the sustainable city in Africa must therefore integrate financial policies that promote the development of local economies, have a holistic approach that integrates local expertise, and address the financial dimension in a sustainable manner. This is why the sustainable city is above all a city thought locally by its inhabitants, a city that responds to local needs, otherwise it becomes useless. Paradoxically, historically, African cities were sustainable cities, because they were designed according to their environment, and the ways of life of our ancestral societies. Unfortunately, all these skills have been abandoned in the design of the modern city. The current African city is built on fortuitous foundations that do not work because they are disconnected from reality. An introspection, a diagnosis and a repositioning are therefore necessary to build the city of tomorrow. “Strong political will is needed to design a more sustainable future for our cities” The construction of most of the world’s major cities is based on political visions and the commitment of governments. Similarly, in Africa, our leaders must first of all take a more proactive approach to urban issues. It is therefore through a strong, deliberate and conscious political will and citizenry, and a long-term projection of our cities that we can significantly and sustainably improve our urban environment. N'Djamena, Photo by Dzmitry Aleinik There is often an incompatibility between the problems we are experiencing and the answers that are given to them. It is more than urgent that our leaders become aware of the priority nature of the urban issue, as it has repercussions on the safety, health, well-being and economy of our cities. From this point on, we would gain by planning our cities with military rigor. The African city of tomorrow will therefore be the one we choose. “Young urban planners and architects must think in an uninhibited way about the design of African cities” The mission of young urban planners and architects on the continent is to experiment with the local context, to study the history of our cities and civilizations, to question their social and cultural framework, etc. This should allow them to have a specific look and to propose innovative and contextualized approaches to the development of our cities. They have the responsibility to reappropriate their history and to propose models that best correspond to the needs of our populations. David Adjaye and Francis Kéré, among others, are architects who should serve as an example for them because they have succeeded in breaking away from the classic and standardized approaches to architecture. These architects have paved the way, it is up to the younger generation to follow in their footsteps by continuing this work of cultural reappropriation which is the basis of our identity. The young generation of architects and urban planners must take on the new challenges facing our cities and countries, such as security, health and environmental issues with climate change, as well as digital and technological issues. Their greatest challenge will be to succeed in reconciling all these aspects so that we have cities that are pleasant to live in and that leave no one behind. Previous Next

< Back Cameroon museums: The language of symbols for cosmo-architecture The Route des Chefferies is a program in Cameroon that focuses on safeguarding and promoting heritage for over twenty years. It aims to restore and create spaces that promote the heritage of populations, chiefdoms, and the region as a whole. The program has led to the nomination of several traditional buildings to the World Heritage list with UNESCO. The contemporary architecture of the museums and heritage huts is inspired by the traditional aspects of the Grassfields, contributing to the scenographic development of the territory. The Museum of Civilizations is an interpretation center of Cameroonian civilizations, open to the public since 2010. It features a nautical base, beach volleyball court, playground, craft center, and a Garden of Civilizations. The Royal Museum of Foumban combines tradition and modernity, featuring the coat of arms of the Bamoun Sultanate. The Bamendjinda community museum highlights the specificities of the Bamendjinda chiefdom under the theme "Arts-Tradition and Slavery." The Route des Chefferies is a program of safeguarding and promotion of heritage in Cameroon, which, for about twenty years. It works in the restoration and creation of spaces aimed at promoting the heritage of the populations, the chiefdoms, and the region as a whole. This program, innovative in Africa, integrates a large pole dedicated to the development of the territory, to architecture, and to the design of heritage. This pole works on the cultural and tourist development of the territory by proposing buildings and places imbued with an «African» scenography that allows for the reinforcement of a rural cultural centrality. The urbanity here is specific because it navigates in a world where the living rub shoulders with the world of the ancestors, the invisible world. It also contributes to the rehabilitation of traditional buildings in danger, and participates in their safeguard in the case of various programs. Thus, since 2018, the restoration work carried out by several chieftaincies has led to the nomination of several traditional buildings (traditional palaces of Bandjoun, Bapa, Batoufam, Mankon, Bafut ...) to the list of World Heritage with UNESCO. The contemporary architecture of the museums and heritage huts (14 heritage huts have been built to date) is fundamentally inspired by the traditional aspects of the Grassfields, which will be recalled in the first part of this article, in order to contribute to the scenographic development of the territory, notably through the creation of cultural buildings detailed in the second part, all within the framework of work in communion with local craftsmen and artists, but also with the elements offered by nature in the Grassfields. The Museum of Civilization The Museum of Civilizations is an interpretation center of the civilizations of Cameroon open to the public since November 20, 2010. This building, located on the shores of Lake Dschang, has become an authentic place of leisure and culture thanks to its nautical base (2005), its beach volleyball court, its playground (2006), its craft center (2010) and very soon a Garden of Civilizations. After an introductory presentation of Cameroon over the centuries, the visitor is invited to discover the Cameroonian people in its identity both plural and fusional: the peoples of the forest with their totemic expression, the peoples of the sea with the revival of the Ngondo cultural festival, the Sudanese-Sahelian peoples with their lamidats, chieftaincies, sultanates and the peoples of Grassfield with their mysterious chieftaincies. It is an interpretation center that promotes an integrated approach to cultural heritage that allows visitors, especially local communities, to reconnect with their roots while learning about the cultures of other regions. This approach is part of cultural tolerance, an important vector of cultural diversity. The contemporary African architecture, signed by the architect Sylvain Djache Nzefa, founder of La Route des Chefferies, is characterized by the symphony of symbols: spider, buffalo, elephant woman, Abbia jettons, and local languages. The Museum of Civilization, with its multiple functions, is endowed with history, knowledge, and intelligence. In the world of the living, in the Bamileke cosmogony, men and animals dialogue, and this dialogue is also done in representation. Among the living, the one who possesses the sum of all experiences is the old man. Everywhere in Black Africa, the old man «was» considered to be the wise man, the connoisseur, the one who «held» the truth, through his multiple experiences. It is his knowledge that is symbolized through the spider. According to Pierre Harter: The spider-mygale, symbol of knowledge, often takes the form of a small single or double circle, with four crossed legs and not eight, which makes it possible to compose on certain mask headdresses or certain engravings of libation horns, a sort of diamond or square mesh net. The spider thus appears as the central element of the architecture of the Museum of Civilization: it is taken here as an architectural element that gives rhythm to the façade. The façade is treated as a mask through blue moldings. There is a desire to hide what is behind. Let us not forget that in the Negro-African, the masks speak; the wearer is possessed by his mask. Here, the wearer is the museum. The mask representing the spider expresses the contents of this building, that is, knowledge. The buffalo and elephant masks symbolize strength, power, grandeur, and wealth. Another façade of the museum is covered with alphabets and the word «welcome» written in several languages and dialects spoken in Cameroon. The eye is busy here capturing the multitude of information, codes, landmarks, which are symbols representing the objectives, the roles of the building namely: educate, preserve, transmit, innovate... Through these symbols, a man approaches what is knowledge, intelligence, society, cosmology, and cosmogony. The motifs used for the moldings on the facades are stylized forms of masks, motifs such as the spider, the buffalo, the woman, and the elephant. The act of building or conceptualizing objects and habitats is seen as a support for knowledge and understanding of the other. It leads to a review of all that is at stake in the constitution and foundations of the different civilizations of Cameroon. The visitor is thus led to question his cultural identity by a better knowledge of himself, which facilitates in principle the dialogue between civilizations. The Museum of Civilization is developing an African museographic experience that aims to put the public at the heart of the process through didactic support and contextual settings that allow visitors to immerse themselves in the heart of Cameroonian cultures. It is not so much a matter of showing as of creating an experience of a visit by provoking sensations and emotions. Realized by a Franco-Cameroonian team, the content of the exhibition is based on a scientific and interdisciplinary approach (history, archaeology, ethnography, sociology, architecture, and heritage...). Dynamic and educational. The exhibition has been conceived, in space and time, in such a way as to integrate current events. With more than 500 objects, 1500 illustrations, video spaces, the museography integrates in an important way the traditional African materials worked in a contemporary approach by the local craftsmen (varnished or burned bamboo, banana bark, obom bark, cowries, beads, raffia, earth, coconuts...) This is the first time that we discover how traditional skills can be highlighted in contemporary scenography. The Museum of Civilizations does not find its justification in the existence of a collection of objects of its own; the pieces presented illustrate the discourse chosen by the designers and come mostly from loans and deposits of the chieftaincies. Royal Museum of Foumban The Bamoun Sultanate is located in the Western Region of the Republic of Cameroon in Central Africa. The Sultanate is at an altitude of 1200 meters and covers an area of 7,625 Km². The current Sultan, Ibrahim MBOUOMBOUO NJOYA, 19th of this dynasty, animated by the immeasurable concern to safeguard this rich multi secular heritage bequeathed by his ancestors, has undertaken for nearly two years, the construction of a new museum adapted to the museum rules and spacious enough to contain all the objects of the collection. The architect Issofa MBOUOMBOUO has thought of a symbolic architecture that combines tradition and modernity and which, in itself, is enough to be a museum. This symbolic architecture is a set composed of the coat of arms of the Kingdom such as: 1 - Double bell: Symbol of patriotism. It is an instrument used by the King to stimulate and galvanize his troops at the front. 2 - The spider: Symbol of work. The King wants his people to be as hardworking as the spider who spends all his time weaving webs. 3 - Snake with two heads : Symbol of the simultaneous victory of the Bamoun people on two fronts. It symbolizes the power of the Kingdom. The result of this masterpiece is the first vector of communication of this museum, through its cosmogonic architecture, following the example of the Museum of Civilization in Dschang. Heritage hut, community museum of the Bamendjinda chiefdom: art, tradition and slavery Its permanent exhibition, unique in the region and in Cameroon, highlights all the specificities of Bamendjinda under the theme «ARTS-TRADITION AND SLAVERY». The Bamendjinda chieftaincy has been marked by slavery, whether it be slave trade or customary slavery. Some cultures still commemorate this past. Its historical and social consequences are perceptible in its plastic production, in its cultural expressions, in the organization and functioning of its chieftaincy. SM TANEFO, the current chief of the Bamendjinda, actively participates in the work of memory on this part of the history of Cameroon. The Bamendjinda community museum plays a role in the collective memory at the social, cultural, educational, and economic levels. Through objects, illustrations, paintings, videos, and a library, this museum is accessible to the general public. It is playful, complete, and enhances the cultural heritage of the chiefdom. The visitor, through the decorations, is led to discover not only Bamendjinda from its origins to today, but also the history that has marked the social organization of the chieftaincies of the West and of Cameroon. The architect Sylvain DJACHE NZEFA once again highlights on the main façade of the museum a mask called «Katso mask» or «Batcham mask». This mask is generally used in secret societies and its presence on the façade is a sign of celebration of this object. Slavery is a historical phenomenon common not only to the Bamendjinda people, but to Cameroonians, Africans, and many others. It is our past, our history, our heritage, our future. This museum is the embodiment of the memory and cultural vitality of the Bamendjinda people. Heritage case of the Bapa chiefdom, rock village The permanent exhibition of this museum has 7 spaces related to the central theme: «MAN, NATURE AND BELIEFS». The spaces defined by the Bapa traditional chief, SM David SIMEU, are the following: Discovering: which presents the history and relations between Bapa and the neighboring villages, and the organization of the chieftaincy and the place of the secret societies; Soak up: presents the nature and physical geography of Bapa; Create and build, presents the different poles of activity found in Bapa, as well as the evolution of architecture, from bamboo constructions with interpretations of weavings, to earthen brick construction and spouted earth; Savor, highlights the gastronomy of the 4 cultural areas of Cameroon, the methods of conservation of traditional foods and the food prohibitions of the past and present; Warrior, presents the power to heal as well as the place of totemic animals in the Bapa culture; To think, invites us to reflect on the protection of the environment with a nod to CIPCRE, and also unveils the modified model of the Bapa chiefdom; Blending in, displays nature, the medicinal and edible plants that nature offers us, with a miniature map of the Bapa village, and the tchui waterfall. This museum is marked by its picturesque architecture, which values the conical roofs of the West, the stabilized earth brick and especially its entrance in the shape of a cave which calls upon the various caves and rocks found in the locality and its surroundings. The scenography here highlights the local know-how in a process of transformation of vegetable waste. Thus, the work carried out by the architects of the DRC with the craftsman Banana Fashon led to the innovation of wall coverings from: dried banana leaves, peanut shells, dried corn leaves, colored woven straws...These decorations extend the understanding of the theme of the exhibition which is to bring man closer to nature. In addition to the need to highlight the know-how and beauty of the Bapa culture, to perpetuate it for the education and edification of future generations are the main motivations of the chief. Drawing inspiration from traditional architecture in order to create the architecture of tomorrow is a guarantee of safeguarding and promoting traditional know-how. The Route des Chefferies, through a creative scenography of the territory, proposes a reinterpretation of the great architectural principles without denigrating them. It uses symbols, materials, and traditional elements to give a new vision of the territory. The Route des chefferies is currently working on new concepts within the framework of the Route des Seigneurs de la forêt, Route de l’eau and Route du sahel programs. Previous Next

< Back Talensi traditional houses in Ghana Talensi traditional houses in Ghana are centered on the design and construction of homesteads, promoting their indigenous cultural identity and demonstrating the value of social ties. The construction process involves men constructing and roofing structures, with women covering them. The Talensi community combines innovation, local knowledge, and resources to create low-cost, sustainable communities. The standardized construction schedule ensures transparency and reliability, promoting sustainability and reusability of traditional materials. The traditional building of Talensi is principally centered on the design and construction of homesteads. The architectural circular form of these traditional buildings, its homogenous layout, choice of construction materials, and process promotes their indigenous cultural identity, stands as an embodiment of the value of social ties, represents a substantial projection of hierarchical relations that make up a family or clan. Talensi is an area in the Upper East region of Ghana in West Africa, culturally and administratively termed Talensis. House Building among Talensi is guided by a solid sense of kinship, characterized by a cooperative effort by the clan to which a person belongs. Tengzug village, Nothern Ghana photo by imb.org Traditionally, the homestead is identified as a Talensi man’s focus, source of interests, prime initiatives, deepest emotional connections, values, shelter, and esteem of life. Talensi’s view on house construction is that men put up structures and roof them while women cover the structures for habitation, but the contribution of women is not counted, though the entire construction process involves members of varied ages, social standing, skills, and genders. The fusion of innovation, local knowledge, and resources promotes low-cost and sustainable communities tailored to their specifications. The traditional houses of the Talensi are circular with flat roofs although in recent years there has been the introduction of rectangular forms. The buildings are constructed with mud. Wall construction usually includes hand-molding kneaded laterite into standard spherical sizes and using the balls to construct the wall layer by layer. Finishing also involves a standardized process of plastering the wall surfaces with a mixture of mud, cow dung, and juice from boiled empty locust bean tree pods. The juice acts as a stabilizer, hardener, and waterproofing. As a standard schedule, traditional Talensi construction normally happens in the dry season between December and April. This period is without rainfall and the entire construction process, from site preparation to wall and floor finishing, is planned in this period. The need to standardize the construction schedule within this period is further strengthened by the fact that most traditional construction participants are farmers and would be engaged in farming in the rainy season. The standardized scheduling in the dry season is transparent and understood by all participants, thereby enhancing the reliability of the commitment of the entire team to planned activities for projects. This tends to stabilize the flow of construction activities within the planned duration. Sustainability through the indigenous building culture of Talensi is environmentally friendly associated with less generation of waste. This fundamentally stems from the recyclability and reusability of traditional materials. Another dimension focuses on the ability of the traditional building materials to merge back into the natural environment when they are not in use. Previous Next

< Back Urbanisme tactique : les artefacts urbains comme vecteur de mobilité durable pour une meilleure qualité de l’air dans la ville de Yaoundé Cedrix and Christolle Tsambang Les artefacts urbains, inspirés des symboles locaux et fabriqués en bambou, offrent une alternative durable, abordable et écologique pour un cadre de vie plus sain. Conçus pour encourager la marche et l'utilisation des transports en commun, ces installations éphémères s'intègrent harmonieusement dans l'espace urbain. La fermeture temporaire d'une voie de l'avenue Kennedy a incité les habitants à adopter des modes de déplacement doux, réduisant ainsi les émissions polluantes. Cette démarche souligne l'importance de repenser l'aménagement urbain pour favoriser la mobilité durable et préserver la qualité de l'air. En impliquant les artisans locaux et en utilisant des matériaux biosourcés, cette initiative contribue également au développement économique et à la protection de l'environnement. L'expérience de l'avenue Kennedy démontre le potentiel des équipements urbains pour dynamiser les espaces publics et créer des villes africaines durables et attrayantes. Une meilleure qualité de vie dans les villes africaines passe par la création d’un cadre de vie plus sain en repensant les pratiques notamment en matière de mobilité urbaine. C’est dans cette optique que s’inscrit les artefacts urbains développés par chorus architecture le long de l’avenue Kennedy de Yaoundé au Cameroun à l’occasion de la semaine de la qualité de l’air. Il s’agit d’une scénographie inspirée de symboles locaux obtenus par une combinaison contemporaine de lignes ou de faces en tiges de bambou. Le bambou plébiscité pour ses propriétés et son attrait dans la mutation vers une architecture durable se présente ici comme une alternative verte, accessible, disponible et abordable. Plus que de simples mobiliers urbains, les installations éphémères conçues sont le reflet du lieu. Vue sur l'avenue kennedy réamenagé, 2021, alaray studio Les artefacts urbains ont été conçu pour la mise en place d’une Opération d’urbanisme tactique qui entre dans le cadre de la réalisation des actions à court terme du projet de mise en place des outils de lutte contre la pollution atmosphérique dans la ville de Yaoundé. Au cœur de l’enjeu de transition écologique, la qualité de l’air apparaît comme un sujet très important pour la protection environnementale. Mettre sur pied une politique en faveur de la protection de la qualité de l’air doit s’inscrire dans une dynamique globale et nécessite des actions ambitieuses à toutes les échelles, afin de garantir à chacun le droit de respirer un air qui ne nuise pas à sa santé. Le concept de mobilité durable comprend une réflexion sur l’environnement et les problématiques de développement durable en repensant l’aménagement du territoire et de l’espace urbain. Il s’agit de limiter l’empreinte carbone et de réduire les inégalités territoriales dans les zones mal desservies par les transports, en mettant en place des solutions qui favorisent le recours aux mobilités douces. Le dispositif de lutte contre la pollution de l’air dans ce projet s’organise autour de la réduction des émissions atmosphériques causé principalement par le trafic routier, source importante d’émissions d’oxyde d’azote. L’augmentation de l’utilisation des transports en commun engendre un désengorgement sur les routes et réduit donc les substances polluantes dans l’air. Dans le centre-ville de Yaoundé les principaux transports en communs sont les taxis et les bus. Encourager à la marche serait également moyen d’améliorer la qualité de l’air tout en étant un excellent moyen de se maintenir en forme, de s’évader du quotidien tout en respectant l’environnement. Le choix du site n’est pas anodin, l’avenue Kennedy lieu mythique de la capitale est situé en plein cœur de Yaoundé et est un endroit très indiqué pour un projet de sensibilisation car toutes les couches sociales s’y côtoient. L’objectif des artefacts urbains est de contribuer à aménager des espaces urbains favorables à la mobilité douce tout en mesurant grâce à des capteurs la qualité de l’air. Il était donc question de fermer l’accès aux véhicules sur une des voies de l’avenue Kennedy pendant deux semaines afin d’inciter les habitants de la ville à plus de marche à pied et l’utilisation des transports en communs. Afin de favoriser une marche agréable et effective sur une avenue de plusieurs kilomètres tel que celle de l’avenue Kennedy il est important de créer des zones de rupture, de pause : créer des obstacles tels que des mobiliers urbains utiles afin d’agrémenter la marche et la rendre dynamique. Le mobilier urbain est donc tout à la fois porteur d’une approche fonctionnaliste et le vecteur d’une identité du projet. Le mobilier de l’espace public fait d’ailleurs aujourd’hui l’objet d’attentes qualitatives fortes en tant que véritable outil d’aménagement urbain. Il existe dans la définition même du terme « mobilier urbain » la volonté d’harmonisation, d’homogénéisation et d’appartenance : des objets rendant service, venant faciliter et embellir la vie des citoyens d’une ville. Pourtant, il semble que le mobilier urbain lorsqu’il existe est trop souvent le produit d’usages spécifiques très déterminés, qui ne laisse pas suffisamment place à des questions plus larges sur la nature de ces usages mêmes. Chorus architecture a donc designer des artefacts en guise de mobiliers urbains afin de susciter de l’interrogation, de la surprise et de la curiosité pour expérimenter de nouvelles pratiques et mettre sur pied de nouveaux concepts en amenant à remettre en question notre compréhension de la réalité afin de réintroduire l’humain dans l’urbain. Conçus et fabriqués localement avec des matériaux biosourcés de ces artefacts urbains ont permis de développer et mettre en avant le savoir-faire local en intégrant différents types d’artisans, créer des emplois tout en participant à la protection de l’environnement. En optant pour du mobilier en bambou, les artefacts concilient élégance, originalité et engagement contre la déforestation dans une perspective de développement durable. Vue sur une partie de la scénographie, 2021, alaray studio Grace aux capteurs installés dans la zone, il a été clairement démontré que la qualité de l’air à considérablement été améliorer durant ces deux semaines d’études. Ceci permet de constater l’impact sur la circulation automobile dans la ville et révéler l’importance et surtout l’efficacité des aménagements effectués. L’attrait généré par l’installation de ces équipements urbains démontre de la nécessité de réinventer nos villes en mettant un accent sur la conception de détails dans les espaces publics. De plus, des équipements urbains comme ceux-là constituent une plus-value notable pour les municipalités, et ce, quelle que soit leur taille ou leur importance. Si certains éléments présentent un aspect pratique, comme ces mobiliers urbains, de nombreux autres aménagements peuvent permettre de dynamiser la vie communale. Penser des villes africaines durables passent également par la re conception des espaces publics en mettant un accent sur l’intégration des éléments qui interpellent et qui communiquent. Cette expérience à l’avenue permet de constater qu’il est possible d’utiliser le savoir-faire local ainsi que les matériaux locaux pour créer des mobiliers urbains intéressant et respectueux de l’environnement. Previous Next

Africa Innovation Network is a think tank developing new approaches for more inclusive, resilient, and sustainable cities in Africa. We bring together experts in diverse and varied fields to offer sustainable and innovative solutions for a better urban future in Africa. Acerca de Who we are Africa Innovation Network brings together experts in diverse and varied fields to offer sustainable and innovative solutions for a better urban future in Africa. We are a think tank developing new approaches for more inclusive, resilient, and sustainable cities in Africa. We develop initiatives, projects, programs, and materials to support cities to move forward to more sustainable human settlements. Our approach is human-centered and based on frugal innovations. We are developing simple, participative ideas and solutions to make our cities and our rural areas a better place for all. Our work is based on creativity and innovation to propose solutions that help to build a better future in our cities for all. Initiatives of Africa Innovation Network are made to analyze, understand and develop solutions in order to promote sustainable development in our cities. What we offer INNOVATIVE AND SUSTAINABLE URBAN PROJECTS Through our network of experts and specialists in urban planning, architecture, engineering, transport and mobility, geographic information systems, design, etc. we accompany cities and territories in the creation of more inclusive and sustainable living environments through sustainable planning tools, coaching, capacity building, urban development strategies, marketing tools, strategic plans, etc. COUNTRY/REGION/CITIES MAGAZINES The country magazine uses the same ideology and structure of African Cities Magazine but on the scale of a country, a specific city, or any scale of territory. The aim is to work with local actors to draw up a picture of the dynamics of architecture, urban planning, design, art, architectural and urban heritage. DOCUMENTARY SERIES We produce documentary series on the scale of countries, cities and territories that give voice to the continent’s actors to draw a vision of more sustainable, resilient and inclusive African cities, particularly through the potential of innovation and technological development. Urban planners, architects, designers, artists, engineers and simple city dwellers, our documentary series aims to take stock of the urban dynamics of the target territory, while taking a forward-looking look at the future. Our documentaries analyze the urban dynamics of the target territories and draw the fundamentals to build more resilient and sustainable urban settlements. Let’s Work Together Get in touch so we can start working together. First Name Last Name Email Thanks for your message. We will get back to you soon. Message Send

More Resilient, Sustainable and Smart African Cities, the common thread of our actions. More Resilient, Sustainable and Smart African Cities The common thread of our actions. AFRICA URBAN PLANNING IMAGERY Africa Urban Planning Imagery aims to capture, analyze, and promote African cities' mutations through satellite images. The purpose is also to show the history, diversity, originality, and complexity of urbanization in the continent. CITIES PIXELS AND COLORS Cities are a combination of a soul and a body. The body is the infrastructures, buildings, roads, etc. while the soul of the city is related to people, their cultures, and their behaviors. The purpose of the initiative Cities Pixels and Colors is to show the diversity and the singularity of the cities, especially in the African context. All the expression modes are welcome here to show the beauty of our cities. Photography, paintings, sketches, Illustrations, sculptures, etc. URBAN PLANNING INNOVATION How to make our cities more inclusive, resilient, sustainable, and improve the quality of life of all ? That is the main purpose of Urban planning innovation. We aim through this initiative to develop and promote innovative solutions contributing to building better places for all. ARCHITECTURE AND INNOVATION The body of a city is the shelter of his soul. With the rapid growth of populations in urban areas, is crucial to provide affordable housing for all, sustainable infrastructures, social facilities, and utilities. To reach these goals we need to develop new approaches and design in order to create inclusive cities. Through the initiative Architecture Innovations, we want to develop and promote original architecture solutions to facing cities’ challenges like climate change, housing for all, social inclusion, etc. AFRICAN ARCHITECTURE AND URBAN HERITAGE Architecture and urban heritage initiative seeks to highlight the richness of the African urban heritage to inspire the making of the modern city. . This is because today’s identity and tomorrow’s innovation are based on the genius of the past. What do you think is missing ? Share your initiatives with us.

Videos Podcast This is a series of video podcasts that address the main key themes in building more inclusive, resilient and sustainable cities in Africa. The themes addressed are various and include the place of secondary cities, economic models for more sustainable and resilient cities, the place of education and cultural identities, the role of technology and innovation, etc. The format is a short video published each month. What if the sustainable city was of African inspiration? This podcast makes an analysis of the concept of sustainable city in the African context starting from a historical retrospective. Then it analyzes the essence of African sustainable practices through the axes of sustainable development: the economy, the social, the environment, and the culture. Finally, it ends with a questioning of the sustainability model of the African city of the 21st century by presenting some approaches to explore. Urban Mobility in Africa Addis Ababa, there are more than 4 million trips per day, including those made on foot. In the megacity of Kinshasa, with its vast agglomeration of more than 17 million inhabitants, more than 5.5 million trips per day are made. Today, nearly one African out of two lives in a city, and that is as many people who must travel every day. In this environment, mobility will have to deal with major construction sites, low road density and increasing distances to travel. So how can Africa succeed in ensuring sustainable mobility for its cities and metropolises? This is what we will try to understand through this podcast.

A documentary series that gives voice to the continent's actors to draw a vision of more sustainable, resilient, and inclusive African cities. The Round tour aims to take stock of the urban dynamics on the continent while taking a forward-looking look at the African cities of tomorrow. African Cities Round Tour African Cities Round Tour is a documentary series that gives voice to the continent's actors to draw a vision of more sustainable, resilient, and inclusive African cities, especially through the potential of innovation and technological development. Urban planners, architects, designers, artists, engineers, and ordinary city dwellers, the African cities round tour aims to take stock of the urban dynamics on the continent, while taking a forward-looking look at the African cities of tomorrow. Download the brochure IVORY COAST Côte d'Ivoire, officially the Republic of Côte d'Ivoire (RCI), is a state located in Africa, in the western part of the Gulf of Guinea. With an area of 322,462 km2, it has an estimated population of 28,088,455 in 2021. The urbanization rate has risen from 17.7 percent in 1960 to over 50 percent in 2018. Among African nations with more than 5 million inhabitants, Côte d'Ivoire is the third most urbanized country, behind Côte d'Ivoire and Ghana. The urban system is characterized by a predominant city of about 4.5 million inhabitants (Abidjan), a city of about 500,000 inhabitants (Bouaké), three cities of more than 200,000 inhabitants (Daloa, Korhogo and Yamoussoukro the capital), and other secondary cities of more than 100,000 inhabitants. CAMEROON A Central African country with an estimated population of more than 25 million in 2019, Cameroon is one of the countries with the most important urban dynamics in the sub-region. This first documentary addresses the challenges of urbanization in Cameroon and the vision for more inclusive and sustainable cities. Through the eyes of many experts in urban planning, architecture, environment, urban policies, etc., this documentary analyzes the urban dynamics in the country and draws the fundamentals for building more resilient and sustainable urban settlements in Cameroon.

AFRICAN CITIES ROUND TOUR: A DOCUMENTARY SERIES THROUGH AFRICAN CITIES African cities are home to nearly half of Africa's population, and over the next 30 years, the continent's cities will be home to more than 950 million additional people. For example, Lagos, the capital of Nigeria and one of the fastest-growing cities in the world, will reach more than 32 million people by 2050. Yet the continent's cities and urban areas face major challenges: poverty, unemployment, substandard housing, and lack of basic services. However, African cities are also lands of beauty, diversity, and opportunity that can be enhanced through resilient and sustainable innovations. Indeed, building more sustainable and resilient African cities will enable changes in urban areas through concentrated economic activities, innovation, job creation, and empowerment; this will enable city dwellers to benefit from the potential of cities through social transformation, inclusion, and integration. African Cities Round Tour is a documentary series that gives voice to the continent's actors to draw a vision of more sustainable, resilient, and inclusive African cities, especially through the potential of innovation and technological development. Urban planners, architects, designers, artists, engineers, and ordinary city dwellers, the African cities round tour aims to take stock of the urban dynamics on the continent, while taking a forward-looking look at the African cities of tomorrow. FIRST DESTINATION: CAMEROON A Central African country with an estimated population of more than 25 million in 2019, Cameroon is one of the countries with the most important urban dynamics in the sub-region. This first documentary addresses the challenges of urbanization in Cameroon and the vision for more inclusive and sustainable cities. Through the eyes of many experts in urban planning, architecture, environment, urban policies, etc., this documentary analyzes the urban dynamics in the country and draws the fundamentals for building more resilient and sustainable urban settlements in Cameroon. Share

"Unlock urban potential in Africa! Africa Innovation Network focuses on creating sustainable, resilient African cities & innovative solutions for a better urban future." #AfricanCities A FRICA I NNOVATION N ETWORK: SUSTAINABLE SOLUTIONS FOR AFRICA AND THE WORLD WHO WE ARE We are a think tank developing new approaches for more inclusive, resilient, and sustainable cities in Africa. We develop initiatives, projects, programs, and materials to support cities to move forward to more sustainable human settlements. WHAT WE DO Through our network of experts in urban planning, architecture, engineering, transport and mobility, geographic information systems, design, etc., we accompany cities and territories in the creation of more inclusive and sustainable living environments. OUR APPROACH Our approach is human-centered and based on frugal innovations. We are developing simple, participative ideas and solutions to make our cities and our rural areas a better place for all . OUR MISSION Help through our initiatives to build a better future for all and make sure that no one is left behind in our cities.

< Back African Cities Magazine 1 October 31, 2020 With a series of innovations, initiatives, and projects on urban planning, architecture, or design, this first edition showcases how innovative ideas and solutions shape urban systems into more resilient, inclusive, and sustainable human settlements in Africa. Through different portraits and interviews of practitioners, innovators, and change-makers in architecture and urban development, we hope to share experiences, examples, best practices, and tools for a more sustainable future. We also hope to showcase the beauty, diversity, challenges, and opportunities in African cities of today, as well as paint a picture of what the cities of tomorrow will look like. Interview with Romarick ATOKE. Architect HMONP Head of Architecture & Urban Design, at Sèmè City Development Agency I keep a fairly optimistic vision of the African city by 2050. Through the ambition and commitment of our leaders combined with the determination, expertise and know-how of the actors of the city that we are, this African city will be resilient and sustainable Architecture Innovation The Warka Village aspires to transform the landscape of comprehensive human development by utilizing low-cost, sustainable, community-driven, high-impact multisector development interventions tailored to the village’s specific needs. Smart city projects in Africa Diamniadio in Senegal emphasizes connectivity with fiber networks and IoT-driven services, aiming to transform urban planning. Semecity in Benin fosters a knowledge-based economy, integrating smart tech in education and entrepreneurship. Morocco’s Benguerir Green City prioritizes eco-friendly design, with solar energy and sustainable infrastructure leading its development. Akon City , also in Senegal, envisions a blockchain-based hub for tourism and technology, although still in its initial phases. Cities Pixels and colors English version Version française Previous Next