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Dakar is the capital of Senegal, in West Africa. With a high density of 6,823 inhabitants per km2, Dakar is the economic and cultural center of Senegal. It is currently experiencing strong economic development, and the city is home to 23% of the population of Senegal, but covers only 0.3% of the country’s area. This series on Dakar presents the atmosphere of these streets and its always welcoming and warm city center. Dakar-Senagal Dakar is the capital of Senegal, in West Africa. With a high density of 6,823 inhabitants per km2, Dakar is the economic and cultural center of Senegal. It is currently experiencing strong economic development, and the city is home to 23% of the population of Senegal, but covers only 0.3% of the country’s area. This series on Dakar presents the atmosphere of these streets and its always welcoming and warm city center.

< Back The heritage wall Benin The Heritage Wall in Benin, created by the Association Sena Street Art (ASSART), aims to promote urban culture and make art accessible to all. ASSART, a cultural association, has initiated over 8,000 young people in various fields, including graffiti, photography, and urban dance. The wall aims to connect every African to their culture and identity, promoting the importance of connecting with their heritage. Produced as part of the festival effect graffiti organized by the Association Sena Street Art known by the acronym ASSART, the heritage wall is about the history of our beloved homeland Dahomey then and Benin now. The Heritage Wall relates the history of the peoples of Benin and Benin and brings out their perspectives. “Association Sena Street Art (ASSART)” Born from the idea of making art accessible to all through the promotion of urban culture; ASSART (Association Sèna Street Art) is an association of young artists engaged in various respective fields such as: graffiti, plastic arts, music, dance, photography, video, and digital arts. Registered as a cultural association under number 2018/2518/DEP-LIT/SG/SAG-ASSOC of November 28, 2018 ASSART works for the initiation, awareness, and development of youth through art and culture. ASSART fights for the influence of urban art in the public, institutional and cultural landscape of Benin through various initiatives; tours in different localities of Benin, awareness, initiation workshops, exhibitions, etc. The artists go to meet the people of Benin to share their knowledge and awareness, beautify and clean up their living environment. Since 2013, ASSART has held several annual and periodic events including the festival Effet graff and art training for the youth and awareness campaigns. Assart has initiated more than 8000 young people to drawing, urban art, photography, urban dance, including more than 2000 out of school and in reintegration. ASSART also has about forty volunteers devoted to the cause and ideals of the Association. “Every African must be connected to his culture” Our message is that every worthy son and daughter must be connected with his or her culture and identity. We have very rich, dense, diversified, authentic, and accentuated cultures and values that unfortunately are forgotten or seem to be more and more relegated to second place by the young generation. This does not honor us as such. No one can tell our story better than us and in our place. It is a pure aberration to see our story told by others under other skies without telling it as it should be. It is there that our works and graffiti make all the sense because they are realized in full cities and in direct contact with the populations. Our goal of making walls into open-air museums is only just beginning and we want to do more. Previous Next

< Back Combler la fracture numérique et autonomiser les jeunes au Niger Au cœur du Niger, une révolution numérique est en cours. Digital Niger, une organisation à but non lucratif, est en première ligne de ce mouvement, offrant aux jeunes les compétences nécessaires pour prospérer à l'ère du numérique. À travers ses programmes de formation innovants et ses partenariats, Digital Niger comble la fracture numérique et favorise l'émergence d'une nouvelle génération de jeunes compétents en technologie. Digital Niger est une communauté de plus de 25 volontaires aux parcours divers (communication, électronique, logistique, comptabilité), mais animés par la même passion : la « Technologie ». « Nos principaux objectifs sont vraiment de réduire la fracture numérique et de promouvoir l'inclusion technologique parmi les jeunes. » Digital Niger est une association à but non lucratif officiellement créée le 17 janvier 2023, bien que ses activités aient commencé bien avant cette date. Issaka Maman Lourwana, le fondateur, explique : « Nous organisons de nombreuses formations numériques. Nous couvrons également l’alphabétisation numérique, la cybersécurité et la formation aux outils digitaux. De manière générale, c’est pour les jeunes mais aussi pour les personnes plus âgées qui souhaitent aujourd'hui se reconvertir vers des carrières dans le numérique ou la technologie, si je puis dire. Parmi nos objectifs, nous souhaitons créer un centre de formation numérique accrédité, offrant divers programmes de formation dans la sous-région et, pourquoi pas, à travers toute l'Afrique, pour contribuer à former des leaders en transformation digitale. Digital Niger propose un large éventail de programmes de formation adaptés à différents groupes d’âge et besoins. Pour les jeunes de 8 à 15 ans, les programmes se concentrent sur la fabrication numérique et la familiarisation avec les ordinateurs. Ils apprennent ce qu'est un ordinateur, comment il fonctionne et les bases de son utilisation. Pour les jeunes de 15 à 35 ans, la formation comprend le codage et la programmation (Python, JavaScript, HTML), la robotique, l'intelligence artificielle, le design thinking, la cybersécurité, ainsi que des programmes spécifiques pour encourager les jeunes filles à se lancer dans le domaine de la technologie. Ces programmes visent à préparer les jeunes aux carrières dans la technologie numérique en leur fournissant des compétences pratiques et recherchées. Digital Niger organise des activités pour rassembler la communauté Tech, telles que Tech Tea, le Niger Digital Day avec l'UNICEF et l'ANSI, Iftar Tech, LinkedIn Local Niamey, etc. « Une femme de 23 ans a pu obtenir son premier ordinateur grâce à une formation qu'elle a suivie chez Digital Niger. Cela a marqué un tournant dans sa vie professionnelle, démontrant l'impact tangible de nos programmes. » La sélection des participants aux programmes de Digital Niger varie selon les tranches d’âge. Pour les jeunes de 8 à 15 ans, Digital Niger collabore directement avec les écoles publiques et privées pour proposer ses programmes. Par exemple, ils ont travaillé avec l’école privée Allianz pour introduire leurs formations. Pour les jeunes de 15 à 35 ans, la promotion des programmes de formation se fait principalement via les réseaux sociaux (LinkedIn, Facebook, Twitter, Instagram). Certains programmes sont gratuits, tandis que d'autres sont payants pour financer les activités de l’association. Les formations à la carte permettent à ceux qui souhaitent se spécialiser, comme dans Power BI, de contacter Digital Niger pour une formation spécifique. Digital Niger utilise diverses méthodes pour mesurer l'impact de ses programmes de formation. Avant chaque formation, des critères et des indicateurs de performance (KPIs) sont définis. Après la formation, un sondage de satisfaction à 30 jours est réalisé pour évaluer le niveau des compétences acquises et la satisfaction des participants. Les résultats montrent un taux de satisfaction global de 83 %. « Digital Niger surmonte les défis technologiques grâce à des partenariats stratégiques, en faisant progresser la formation en IA, les plateformes d'e-learning et le soutien à l'entrepreneuriat pour les jeunes. » Digital Niger fait face à plusieurs défis communs aux initiatives en Afrique, notamment en termes d'infrastructures technologiques. Le manque d'espaces adéquatement équipés avec des machines et des équipements informatiques représente un obstacle majeur, tout comme la difficulté d'accès à des connexions Internet stables et abordables. En outre, les coupures de courant fréquentes perturbent les programmes de formation. Pour pallier ces problèmes, Digital Niger a stratégiquement programmé ses sessions de formation en fonction des coupures de courant et cherche activement des partenariats pour améliorer à la fois l'infrastructure technologique et l'accès à Internet. Les partenariats stratégiques jouent un rôle crucial dans le renforcement des programmes de Digital Niger. Avec des membres qui sont des acteurs clés de l’écosystème numérique nigérien, l’organisation facilite les collaborations avec des startups locales, des institutions gouvernementales et des organismes internationaux comme les Nations Unies. Un programme de mentorat initie les jeunes de 12 à 20 ans au monde professionnel, tandis que des partenariats avec des entreprises offrent des stages et des opportunités d'immersion, apportant ainsi une expérience pratique et un développement de carrière pour les jeunes. Pour l’avenir, Digital Niger a plusieurs projets ambitieux en cours. Un hub technologique sera lancé pour soutenir les jeunes entrepreneurs à travers les phases de pré-incubation, incubation et accélération de leurs projets numériques. De plus, un centre de formation en intelligence artificielle proposera des cours de 12 à 18 mois pour développer l’expertise en IA. Une plateforme d'e-learning est également en développement, avec pour objectif de produire du contenu local et de collaborer avec des plateformes internationales comme Coursera pour élargir les opportunités éducatives. « L'Afrique est le continent le plus jeune au monde. Avec la technologie numérique qui est transversale à tous les domaines, j'encourage tous les jeunes à se former au numérique. Nous devons être résilients et trouver des solutions pour développer notre continent. » Les témoignages des jeunes formés par Digital Niger mettent en lumière l'impact positif des programmes. Par exemple, une étudiante au Maroc a pu terminer son cursus grâce à un stage obtenu par le biais de Digital Niger. Un autre témoignage marquant est celui d'une jeune femme qui a acquis son premier ordinateur grâce à un programme de formation, illustrant l'importance des compétences numériques pour l'autonomisation et l'employabilité des jeunes. Digital Niger joue un rôle essentiel dans la réduction de la fracture numérique et la promotion de l'inclusion technologique au Niger. Malgré les défis, l’organisation continue de former des jeunes, de collaborer avec des partenaires stratégiques et de planifier des projets ambitieux pour l'avenir. Comme le souligne Issaka : avec des initiatives comme Digital Niger et le soutien d’organisations comme le Africa Innovation Network, l'Afrique progresse vers un avenir numérique prometteur, ouvrant de nouvelles opportunités pour sa jeunesse et transformant ses villes en pôles technologiques dynamiques. Previous Next

Cette série aborde l'état actuel du marché, les défis de la pénurie de logements et les initiatives mises en place pour y remédier < Back Nouvelle série de vidéos documentaires sur la question du logement au Cameroun Cette série aborde l'état actuel du marché, les défis de la pénurie de logements et les initiatives mises en place pour y remédier Nous avons réalisé une série de vidéos sur la complexe question du logement au Cameroun. Cette série aborde l'état actuel du marché, les défis de la pénurie de logements et les initiatives mises en place pour y remédier. Les vidéos explorent divers thèmes, tels que la promotion immobilière, ou encore la résorption des quartiers précaires. Elles examinent également les défis de l'industrie de la construction, l'utilisation des matériaux locaux par rapport aux matériaux importés. À travers des interviews avec des experts, nous approfondissons divers aspects du logement au Cameroun. M. PONDI Paul, président de l'ordre des urbanistes, discute des stratégies pour réduire le déficit en logements et propose des solutions face à la croissance démographique. M. Pierre-Marie BISSEK II LOA de TEBIS ARCHITECTS aborde les défis de la construction économique et l'utilisation des matériaux locaux. M. MOUCHILI, urbaniste, examine les causes et les politiques en faveur des quartiers précaires. Enfin, M. MOUNGANG Blaise, promoteur immobilier et Président de l'Association des Promoteurs Immobiliers du Cameroun, analyse les enjeux et incitations de la promotion immobilière, en mettant l'accent sur le financement, le foncier et la fiscalité. En 2015, le déficit de logements au Cameroun était estimé à 1,5 million d’unités, majoritairement en zone urbaine. Pour combler ce déficit, des approches de restructuration et de rénovation urbaine, ainsi que la création de nouvelles zones d’habitation, sont mises en avant. La Stratégie Nationale de Développement 2020-2030 introduit plusieurs actions, notamment le programme national de résorption de l'habitat précaire, présenté par M. Idrissa Mouchili, urbaniste au ministère de l'habitat et du développement urbain. La série souligne également les difficultés d'accès au logement abordable, influencées par le coût des matériaux de construction, et les avantages de l'utilisation des matériaux locaux. Pierre-Marie BISSEK II LOA nous éclaire sur cette question essentielle pour le logement abordable au Cameroun. Previous Next

Résorber l'habitat informel par la restructuration-rénovation urbaine et création de nouvelles zones d’habitation < Back Comment combler le déficit de logement au Cameroun Pondi Paul En 2015, le déficit de logements au Cameroun était estimé à 1,5 million d’unités dont 80 % se trouvaient en zone urbaine et essentiellement dans les deux principales villes du pays. Ce déficit est caractérisé par les nouvelles demandes, mais également par l'habitat précaire comme nous l’explique Pondi Paul président de l'ordre national des urbanistes du Cameroun. Pour lui combler ce déficit par une approche jumelée de Restructuration - Rénovation urbaine et la création de nouvelles zones d’habitation.

< Back What would the architecture of African cities look like without western influence? Vincent Tshomba European colonialism has significantly impacted African architecture, leading to the disappearance of traditional architecture and the adoption of urban designs. This research aims to challenge the idea that African traditional architecture could have stood on its own without European influence. Colonization was driven by economic, humanitarian, prestige, and strategic reasons, with the exploitation of minerals and slavery promoting Western superiority. Postcolonial African locations and institutions often fall victim to stereotypes and inferiority, leading to a loss of identity and creativity. This dependence on Western architectural styles has led to the belief that African culture and architecture cannot be sustained independently. The town hall in Cape Town, built in 1905, is an example of European-inspired architecture in South Africa. It is an exact copy of traditional English town halls, with most materials, fixtures, and fittings imported from Europe. The town hall's large carillon, imported from England, reflects colonial domination and erases South Africa's traditional identity. Fassil Demissie believes that colonization has emphasized European superiority and perpetuated the idea of inferiority. Post-colonization has also led to Africans believing in their inferiority to Europeans. The reason why European colonialism is at the heart of this research is simply be-because it provoked the most effective changes. These changes did not just introduce new ways of life, but they also changed the national languages in most parts of Africa. Over the past two hundred years, there have been significant alterations in the African built environment, and traditional architecture began to disappear further in villages, making way for urban architecture. There is a feeling that African culture and architecture have become disconnected through colonialism. traditional African architecture represented a simple culture that was not very boastful of its riches. However, as the need for technology grew during the colonial period, the connection between both culture and architecture greatly diminished in favor of Manhattan-like architecture. This is another aspect of colonialism that this research hopes to challenge - whether African traditional architecture could have stood on its own, without European influence. It is already known that African architecture, in Ethiopia and Zimbabwe, was a great force in architecture globally, in the early centuries, therefore questioning whether colonialism helped or disturbed the development of African traditional architecture. Colonization stands at the heart of what is now a reformed Africa. The reason why colonization had to take place is down to four simple reasons which are economic, humanitarian, prestige, and strategic. It is important to remember that every single aspect of colonization has hugely influenced the way the rest of the world, and in particular Western culture, perceives Africans and their culture. Raw materials such as cotton were of great interest to colonists who saw an opportunity to boost their economies. The exploitation of minerals in Africa created extraordinary wealth for colonizing countries. Investors saw an opportunity to make personal fortunes by financing the establishment of the colonies. Through colonization came slavery, which provided cheap labor and increased profits and consequently boosted the wealth of the colonizer. The fact that many Africans were enslaved in the process seemed to show that Africans are inferior, and Westerners are superior, and this is a trend that still lingers. What colonization has done is set a standard of living that is considered normal, and due to poverty, many postcolonial African locations, as well as institutions, do not fit this category, and therefore they are not in the norms of European standards. Consequently, they fall victim to the inferiority that leads to stereotypes. However, the question stands, do Africans need to live by European standards, or can they be proud of their own heritage? An essay written by David Washburn further emphasized this view, as he acknowledged the impact of colonization by stating, “To name the world is to 'understand' it, to know it and to have control over it" (David Washburn, 1997) - this was a statement made regarding Europeans being the founders of the name Africa and shows how colonialism insinuates superiority over its colonies. Motsoko Pheko describes the condition of Africa as, “Torn away from his past, propelled into a universe fashioned from outside that suppresses his values, and dumbfounded by a cultural invasion that marginalizes him. The African is today the deformed image of others." (Motsoko Pheko, 2012). This statement shows that Africans are losing their identity by emulating their colonizers. By constantly emulating a different culture, one becomes completely dependent on it, and therefore the original history and creativity that should have stood by themselves, are lost. It is this dependence that has allowed westerners to believe that African culture and architecture cannot be sustained on their own. This is a stereotype that has been passed down for centuries, to believe that Africans are incapable of building an urban, contemporary city without the helping hand of the West and China. When the West and the Chinese get involved in the construction of African cities, it is not to accommodate the rich culture and existing architecture, it is simply a copy-and-paste design of what is known to be perfect, and that is Western architectural styles. Architecture in South Africa has been heavily inspired by European ideology and culture. A very good example of this architectural imitation is the town hall building in Cape Town. The town hall in Cape Town represents a great turning point in South African history. It was on the balcony of this building that Nelson Mandela delivered his first public speech after his release from prison. There are several aspects of this piece of architecture that show its European roots, and the interesting thing about the design is that none of it reflects South Africa or its people. It is in fact an almost exact copy of any traditional town hall seen in England. The town hall was built in 1905 by an architectural company called Reid and Green. It is located on the grand parade, which is the main public square in Cape Town, with the railway station within walking distance. The building was built in the Italian Renaissance style, which is not a style that celebrates South Africa’s culture or represents its habitants in any way. The Renaissance architectural period took place between the 15th and 17th centuries in various European regions, to revive and develop many elements of ancient Greek and Roman culture. This architectural style was imported to South Africa and does not honor South African Heritage. It is possible to say that a vast part of Cape Town tells a European story rather than a South African one. It is therefore not an example of South African architecture, but rather an imposed architectural style that is very different from South Africa’s traditional architecture. An interesting point regarding Cape Town city hall is the way it was designed. Not only is it European-styled architecture, but most of the building’s materials, fixtures, and fittings were imported from Europe to give it a completely European feel. The town hall has thirty-nine impressive bells, which makes it the largest carillon in South Africa. However, these bells were also imported from Loughborough in England by a company called Taylors Bell Foundry which is the largest working bell foundry in the world. This is another aspect of this architecture that shows colonial domination and how it has partly erased South Africa’s traditional identity. This view is also a view shared by Fassil Demissie, as he says, “Colonial architecture and urbanism carved its way through space, ordering and classifying the built environment while projecting the authority of European powers across South Africa in the name of science and progress.“ (Fassil Demissie, n.d.) This quote clearly shows his position regarding the impact of colonization in South Africa. The West aims to unify Europe and South Africa in a way that only glorifies its superiority in the name of colonialism. The biggest problem with colonization, as already established in this research, is the idea of one being superior to another. However, the biggest issue now remaining is the effect of post-colonization. Since Westerners have sought to establish their importance and superiority over Africans for years, Africans began to believe in their own inferiority to Europeans ( www.newobserveronline.com , 2013). A personal, four-week observation was carried out in an orphanage in Uganda that emphasizes this theory. In this orphanage, there were eleven white volunteers and one black volunteer. The interesting thing about this observation was the fact that the children were intrigued by white skin. Their assumption was that every white volunteer was very wealthy, and as a result, the children began begging for presents on an almost weekly basis. It was no secret that they admired Western culture more than their own. During an interview with a Ugandan teenager at the orphanage, it became obvious that their biggest dream was to live in Europe and experience European culture. This observation was crucial as it shows young children idealizing the prospect of being Europeans from an early age. These children dressed and behaved like Westerners, and this is, without doubt, an effect of colonization. Certain Africans, like the children at the orphanage, have accepted the stereotype of having an inferior culture and architecture compared to that of Westerners, and that is a huge problem in need of eradication. In order to get a different perspective and validity on this issue, a question was passed out to a group of fifty architecture students in Kampala University, in the capital of Uganda. The questionnaire simply asked the students to write in brief how much impact Western culture has had on their own architectural practice. One particular response stood out which said, “I get my inspiration mostly from previous famous and current European architects because they provide the best contemporary architecture that not many Africans can do, especially here in Uganda.” This response validates the point raised in the argument, that not only have Africans accepted the stereotypes that brand them as inferior, but they have also accepted that their own architecture is weak compared to Western designs. Cape town city hall This is also a view shared by Tom Burell, as he says in his book, “Why, despite our apparent strength, intelligence, and resourcefulness do we continue to lag behind and languish in so many aspects of American life?” (Tom Burell 2010, p.13) The same concern is also raised by Oluwaseun Idowu. In his blog, he says, “Our race has been so stigmatized with being inferior that it has affected our mentalities and perceptions about ourselves. We strongly believe that anything foreign is very superior to what we produce or what exists here in the continent.” (Oluwaseun Idowu, 2013) This quote emphasizes the effect of post-colonialism, and the way it has not only impacted the way Africans are perceived around the world but has also impacted the way Africans see themselves. They believe that their culture and intellectual ability are not to a high standard. This mentality has given support to the traditional stereotypes that the current, Western generation has in mind when mentioning Africa. The important thing here for Africans to understand is that Westerners have capitalized on their own culture and did not seek to change it in any way. Instead, they made it appealing and celebrated it on a daily basis. This is the approach that Africans must take regarding their culture and architecture, which is a heritage to be proud of. “What African architecture could look like without western influence?” Firstly, it’s important to understand the previous great African architecture, and with that understanding, we begin to get a clear picture of what uninterrupted African architecture could look like. So, this section will briefly study the Kingdom of Aksum now known as Ethiopia as the basis for imagining African futuristic architecture. This section not only seeks to disprove stereotypes and the idea of architectural inferiority but also seeks to show how African architecture could look when we take into consideration what has previously been established. The results of this chapter should therefore resurrect the confidence that was lost through many years of believing the opposite. The Kingdom of Aksum which existed approximately between the years 100-940 AD was an important trading nation in an area now known as Northern Ethiopia. Located in the north-eastern portion of Ethiopia, the Kingdom of Aksum sat on a high plateau, 7200 ft above sea level, and during the first century, the Kingdom of Aksum traded actively on the Red Sea coast. The Kingdom of Aksum began to rapidly rise in the early centuries of its existence by trading its vast agricultural resources, and gold and ivory, throughout the Red Sea network, through the port of Adulis, which was then transported to the Roman Empire. After becoming the first major empire to convert to Christianity, the Kingdom of Aksum, along with the Roman Empire, became even more powerful, which made it an even more respectable nation in the early centuries. It has become clear that this African nation was muchly respected, and was seen as an important nation, in contrast to what has been thought of any African nation. Clear that early Aksumite architecture was advanced for its time, and this is a massive contrast to what is known as traditional African architecture. When talking about traditional architecture in Africa, it is almost automatic to think of mud huts and straw shelters. Interpretation of Afrocentric Architecture, Vincent Tshomba 2020 Although it is indeed true that this form of architecture does exist, it is equally important to point out the early modern architecture that was just as good, if not better, than the European architecture of that time. This architecture only begs the question of whether colonialism was the best thing for a country that was already progressing without European influence. The Kingdom of Aksum presents some fantastic architecture, as supported by Kris Hirst, who says, “in Aksum itself, impressive structures were built,” (Kris Hirst, n.d.). It is unfortunate that Aksumite architecture is unknown to many people, and as Stuart Munro-Hay mentions in his book, “In most of the recent, general histories of Africa or of the Roman world, Aksum is either not mentioned at all, or is noted in brief summaries culled from earlier works” (Stuart Monru-Hay, 1991 pp.6). It is evident that the world is not aware of this brilliant, African architecture, which is a problem, because it leaves people with a poor image of European-colonized Africa. With this understanding, let's try to imagine what futuristic African architecture could look like. The first idea was to imagine a building that would relate to its origins, simply by using clay as a construction method. This is the same method that was used to build the great mosque of Djenné in Mali, which gave a starting point for reimagining the African architecture of the future. This method of construction can be seen throughout Africa, especially in most villages. Without Western influence, African architecture would have further developed the use of rammed earth, as it was already the main method in ancient Africa. The material is known to be environmentally friendly and has a minimal carbon footprint, which is exactly what modern architecture is looking for today. The material used has greatly influenced the result, which has irregular organic forms that almost mimic the African way of life. There is nothing regular about pure African architecture, and this design seeks to follow that concept with its irregular forms. It is obvious that without Western influence, African architecture would have a unique identity, and the cities would be in harmony with nature. Beautiful architecture is subjective, but identity is as unique as DNA. This artwork highlights the importance of finding one's identity through architecture. A building can speak for itself and describe its inhabitants with few words. The question is: can we look at a building and identify its origins? Architecture plays an essential role in how we perceive cultures, and the idea is to reimagine an Africa built with a strong sense of heritage, with the aim of evoking emotions and a sense of joy at the authenticity of the work that can take us all back to our childhood. So this is what African architecture would look like without Western influence. It would have its own identity that is undoubtedly recognizable around the world with its organic forms and sense of nature at the heart of every design. Without Western influence, African architecture would not be as generic, with some buildings looking more and more like Western cities. Ultimately, the best way to describe what African architecture might have been without Western influence, and identity would be more important. The architecture would be able to stand on its own and represent its people much better than a typical modern skyscraper can. It would contain modern technology, but without the typical materials and design style that can easily confuse an African city with a Western city. Finally, African architecture will instill a sense of pride that will lead to the creation of other great African architecture. Interpretation of Afrocentric Architecture, Vincent Tshomba 2020 The purpose of this research was to examine and look at whether colonialism has helped African culture and architecture. In order to achieve this, it was important to look at the impact of colonialism. This was very significant as the evidence allowed me to analyze some of the problems that came with colonialism. As mentioned already in this Research, colonialism has created a certain type of stereotype against African culture and architecture. This then gave room to tackle these stereotypes and disprove them. Previous Next

< Back Projet de Développement Urbain Intégré et de Résilience du Grand Antananarivo : Des impacts durables sur la capitale de Madagascar Antananarivo, la capitale de Madagascar, avec ses 1,5 million d'habitants intra-muros et près de 2,5 millions en périphérie, est un paradoxe géographique. Le Projet de Développement Urbain Intégré et de Résilience du Grand Antananarivo (PRODUIR), financé par la Banque Mondiale, vise à améliorer les conditions de vie dans les quartiers défavorisés. La réhabilitation du Canal C3, crucial pour la protection contre les inondations, est en cours, avec des travaux d'aménagement et d'assainissement. La réhabilitation des digues de l'Ikopa et de la Sisaony est proche de l'achèvement. Le projet englobe également des interventions à l'échelle des quartiers, des travaux urbains, et un appui institutionnel pour renforcer la gouvernance urbaine. Ces actions intégrées visent des impacts durables sur la vie des habitants d'Antananarivo. Antananarivo, la capitale de Madagascar, une ville historique et pleine de paradoxes. Située à une altitude moyenne de 1 280 m dans la région des hauts plateaux, l’agglomération est aujourd’hui la plus grande ville de Madagascar, dont le développement s’étend au-delà de sa limite administrative. Avec ses quelque 1,5 million d’habitants, Antananarivo intra-muros concentre plus d’un tiers de la population urbaine du pays, accusant ainsi une forte domination dans le réseau urbain. Avec sa périphérie, la capitale malgache compte près de 2,5 millions de personnes qui y vivent ou qui y travaillent au quotidien. Elle produit à elle seule près de la moitié du PIB du pays. La singularité d’Antananarivo vient aussi de sa géographie particulière. La ville est dominée par une colline de direction méridienne où se trouve le palais du Rova, ancienne résidence royale, qui domine à l’ouest la plaine du Betsimitatatra avec un escarpement abrupt de plus de deux cents mètres. Antananarivo entre la colline et la plaine A ces quartiers collinaires ou centraux, s’opposent ceux de la plaine, situés à l’ouest, dont la vaste zone aménagée dans les années soixante sur d’anciennes rizières abritant des bâtiments administratifs et la grande cité planifiée des 67 hectares. Cependant, avec la pression démographique conjuguée au poids important de l’exode rural les anciennes plaines rizicoles marquées de quelques noyaux d’habitations, sont rapidement devenues des quartiers très denses développés anarchiquement, et caractérisés par différentes formes de précarités (Anatihazo, Andavamamba, Ankasina…). C’est dans ces quartiers inondables et majoritairement précaires qu’œuvre le Projet de Développement Urbain Intégré et de Résilience du Grand Antananarivo (PRODUIR). Sur sollicitation du Gouvernement Malagasy, la Banque Mondiale s’est engagée à appuyer le développement urbain intégré du Grand Antananarivo sur le long terme, dans le cadre d’une série de projets. PRODUIR étant le premier projet de la série, a bénéficié d’un financement IDA de 125 millions de dollars, dont l’exécution s’étalera jusqu’en 2025. Mis en œuvre sous tutelle du Ministère de l’Aménagement du Territoire et des Services Fonciers (MATSF), le projet vise de manière générale à améliorer les conditions de vie en milieu urbain et la résilience aux inondations des populations dans certains quartiers défavorisés du Grand Antananarivo. Le projet vise de manière générale à améliorer les conditions de vie en milieu urbain et la résilience aux inondations des populations dans certains quartiers défavorisés du Grand Antananarivo. Protéger Antananarivo et ses environs contre l’inondation Le Canal C3, comme principale axe d’intervention La réhabilitation du Canal C3 est une priorité pour la protection de la plaine d’Antananarivo contre les inondations pluviales. Celui-ci fait partie des trois principaux canaux de drainage des eaux pluviales de la plaine urbanisée d’Antananarivo. 48% des fonds sont destinés à la remise en état de fonctionnement des infrastructures hydrauliques, dont le canal C3 qui s’étale sur 12 km. Près de 115 000 m3 de boue de curage sont prévues être enlevées durant les travaux qui consistent également à la remise en état de cet ouvrage de drainage dans son état initial théorique à travers des curages et des renforcements de berges. L’aménagement d’un site de confinement des boues de curage ainsi que l’aménagement d’un site de réinstallation des populations affectées par le projet viendront aussi accompagner cet axe majeur du projet. L’assainissement et le curage du canal C3 sur une longueur de 12 km seront effectués à partir de février 2024 pour permettre aux eaux de pluies de s’écouler plus facilement et rapidement. En outre, le projet améliorera les quartiers traversés par le canal C3 avec la création de routes, de cheminements piétons le long du canal et de passerelles, l’installation d’équipements sanitaires, de lavoirs et de bornes fontaines ainsi que les emplacements pour bac de collecte des ordures ménagères. Ces travaux d’intérêts généraux réduiront sensiblement les inondations qui s’aggravent tous les ans dans les zones basses et auront des retombées multiples sur la santé, la mobilité et les activités économiques de la population concernée. La réhabilitation des digues, un avancement à grand pas Aujourd’hui, l’un des grands chantiers de PRODUIR est en passe d’être terminé : la réhabilitation de la digue de l’Ikopa et de la Sisaony, parmi les ouvrages majeurs de la protection de la plaine d’Antananarivo face aux inondations. En plus de ces actions, des travaux de confortement et de réhabilitation de quelques tronçons de digues d’une longueur totale de 1,3 km seront réalisées. Il s’agit notamment des digues endommagées durant les épisodes climatiques successifs de 2022, présentant un risque élevé pour l’ensemble de l’agglomération d’Antananarivo. L’ensemble de ces travaux, permettront de réduire considérablement les expositions des quartiers vulnérables et de la population urbaine, aux risques d’inondation récurrentes que subit la capitale de Madagascar. Les travaux de confortement de digues pour protéger la ville contre l’inondation 2023 Des interventions à l’échelle de quartier, pour transformer la vie de la communauté Le projet se focalise également à la structuration de divers quartiers de la capitale et de ses environs à travers des travaux urbains relatifs à l’amélioration de la mobilité et de l’accessibilité, de l’accès aux services d’assainissement de base, et de renforcement de la résilience (ruelles, bibliothèques, marchés, passerelles…). Ce, dans le but d’améliorer les conditions de vie des habitants de la Ville des Mille (l’un des surnoms de la capitale), et d’insuffler une transformation et une restructuration du paysage urbain. Près de 500 infrastructures devraient être construites d’ici la fin du projet qui bénéficieront à un peu plus de 650 000 personnes. D’autres travaux de restructuration et de rénovation urbaine seront aussi identifiés et réalisés dans les prochaines phases du projet. Toutes ces infrastructures ont des finalités communes : contribuer au bien-être de la communauté, au désenclavement des quartiers et à l’amélioration des quartiers bien souvent précaires avec une très forte densité de population. Appuyer les institutions pour une gouvernance urbaine résiliente Dans une de ses sous-composantes, le PRODUIR appui le MATSF et les Communes concernées pour la réalisation d’une étude urbaine et sociale visant à doter la zone d’intervention d’un plan d’urbanisme de détail, qui sera l’outil de référence pour la définition des investissements dans la rénovation urbaine. Sur le plan institutionnel, plusieurs activités de renforcement de capacité sont également lancées pour améliorer la gouvernance urbaine, la gestion municipale et l’internalisation des recommandations des outils de planification, mais aussi pour améliorer les capacités des acteurs à répondre rapidement et efficacement à une situation d’urgence/crise notamment les cas de catastrophes. A travers ces interventions multiples et intégrées, le projet veut induire des impacts durables sur la capitale de Madagascar et ses habitants. Previous Next

More Resilient, Sustainable and Smart African Cities, the common thread of our actions. More Resilient, Sustainable and Smart African Cities The common thread of our actions. AFRICA URBAN PLANNING IMAGERY Africa Urban Planning Imagery aims to capture, analyze, and promote African cities' mutations through satellite images. The purpose is also to show the history, diversity, originality, and complexity of urbanization in the continent. CITIES PIXELS AND COLORS Cities are a combination of a soul and a body. The body is the infrastructures, buildings, roads, etc. while the soul of the city is related to people, their cultures, and their behaviors. The purpose of the initiative Cities Pixels and Colors is to show the diversity and the singularity of the cities, especially in the African context. All the expression modes are welcome here to show the beauty of our cities. Photography, paintings, sketches, Illustrations, sculptures, etc. URBAN PLANNING INNOVATION How to make our cities more inclusive, resilient, sustainable, and improve the quality of life of all ? That is the main purpose of Urban planning innovation. We aim through this initiative to develop and promote innovative solutions contributing to building better places for all. ARCHITECTURE AND INNOVATION The body of a city is the shelter of his soul. With the rapid growth of populations in urban areas, is crucial to provide affordable housing for all, sustainable infrastructures, social facilities, and utilities. To reach these goals we need to develop new approaches and design in order to create inclusive cities. Through the initiative Architecture Innovations, we want to develop and promote original architecture solutions to facing cities’ challenges like climate change, housing for all, social inclusion, etc. AFRICAN ARCHITECTURE AND URBAN HERITAGE Architecture and urban heritage initiative seeks to highlight the richness of the African urban heritage to inspire the making of the modern city. . This is because today’s identity and tomorrow’s innovation are based on the genius of the past. What do you think is missing ? Share your initiatives with us.

Africa Innovation Network is a think tank developing new approaches for more inclusive, resilient, and sustainable cities in Africa. We develop initiatives, projects, programs, and materials to support cities to move forward to more sustainable human settlements. Our Team. This is your Team page. It's a great space to introduce your team and talk about what makes it special, such as your culture and work philosophy. Don't be afraid to illustrate personality and character to help users connect with your team. Don Francis Founder & CEO Ashley Jones Tech Lead Tess Brown Office Manager Lisa Rose Product Manager Email info@mysite.com Call 123-456-7890 Follow

Africa Innovation Network is a think tank developing new approaches for more inclusive, resilient, and sustainable cities in Africa. We bring together experts in diverse and varied fields to offer sustainable and innovative solutions for a better urban future in Africa. Acerca de Who we are Africa Innovation Network brings together experts in diverse and varied fields to offer sustainable and innovative solutions for a better urban future in Africa. We are a think tank developing new approaches for more inclusive, resilient, and sustainable cities in Africa. We develop initiatives, projects, programs, and materials to support cities to move forward to more sustainable human settlements. Our approach is human-centered and based on frugal innovations. We are developing simple, participative ideas and solutions to make our cities and our rural areas a better place for all. Our work is based on creativity and innovation to propose solutions that help to build a better future in our cities for all. Initiatives of Africa Innovation Network are made to analyze, understand and develop solutions in order to promote sustainable development in our cities. What we offer INNOVATIVE AND SUSTAINABLE URBAN PROJECTS Through our network of experts and specialists in urban planning, architecture, engineering, transport and mobility, geographic information systems, design, etc. we accompany cities and territories in the creation of more inclusive and sustainable living environments through sustainable planning tools, coaching, capacity building, urban development strategies, marketing tools, strategic plans, etc. COUNTRY/REGION/CITIES MAGAZINES The country magazine uses the same ideology and structure of African Cities Magazine but on the scale of a country, a specific city, or any scale of territory. The aim is to work with local actors to draw up a picture of the dynamics of architecture, urban planning, design, art, architectural and urban heritage. DOCUMENTARY SERIES We produce documentary series on the scale of countries, cities and territories that give voice to the continent’s actors to draw a vision of more sustainable, resilient and inclusive African cities, particularly through the potential of innovation and technological development. Urban planners, architects, designers, artists, engineers and simple city dwellers, our documentary series aims to take stock of the urban dynamics of the target territory, while taking a forward-looking look at the future. Our documentaries analyze the urban dynamics of the target territories and draw the fundamentals to build more resilient and sustainable urban settlements. Let’s Work Together Get in touch so we can start working together. First Name Last Name Email Thanks for your message. We will get back to you soon. Message Send

WHAT IS AFRICA INNOVATION NETWORK In 2050, 70% of the world's population will be urban. The majority of this urbanization will occur in Africa with 60% of the population living in urban areas by then. While raising enormous challenges , this urbanization will generate significant needs in all areas and will have to be met. It is with this in mind that Africa Innovation Network, a research and innovation agency focused on the problems generated by urbanization on the continent , was created. Africa Innovation Network brings together experts in diverse and varied fields to offer sustainable and innovative solutions to complex problems linked to the continent's urbanization in order to improve the quality of life of all. A veritable laboratory for thinking about and implementing solutions adapted to the context of the continent, the target themes of the Africa Innovation Network cover all fields enabling sustainable and resilient societal development throughout Africa. These themes are grouped around the main axes : INCLUSIVE CITIES; INNOVATION AND TECHNOLOGY; ENVIRONMENT AND CLIMATE ACTION. Download our brochure Share

Videos Podcast This is a series of video podcasts that address the main key themes in building more inclusive, resilient and sustainable cities in Africa. The themes addressed are various and include the place of secondary cities, economic models for more sustainable and resilient cities, the place of education and cultural identities, the role of technology and innovation, etc. The format is a short video published each month. What if the sustainable city was of African inspiration? This podcast makes an analysis of the concept of sustainable city in the African context starting from a historical retrospective. Then it analyzes the essence of African sustainable practices through the axes of sustainable development: the economy, the social, the environment, and the culture. Finally, it ends with a questioning of the sustainability model of the African city of the 21st century by presenting some approaches to explore. Urban Mobility in Africa Addis Ababa, there are more than 4 million trips per day, including those made on foot. In the megacity of Kinshasa, with its vast agglomeration of more than 17 million inhabitants, more than 5.5 million trips per day are made. Today, nearly one African out of two lives in a city, and that is as many people who must travel every day. In this environment, mobility will have to deal with major construction sites, low road density and increasing distances to travel. So how can Africa succeed in ensuring sustainable mobility for its cities and metropolises? This is what we will try to understand through this podcast.